What }); PLOT: Set during the end of World War II, a group of soldiers tasked with occupying a French mansion, start noticing things aren't what they seem when ghosts start showing up and causing trouble. Perhaps the most shocking moment in the film is a cut to Frank Grillo’s Harrigan finally, though still vaguely, reacting to something Wylie says after long stretches where the hermit might as well be Jake’s imaginary friend. 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During Kratos and Atreus' final battle with Baldur, the rampant god becomes mortal after being pierced by the mistletoe that Sindri gave Atreus earlier on in the story. Clea DuVall’s Happiest Season isn’t a radical holiday movie. Rather, Alain Moussi plays the main character, Jake, a conveniently amnesiac fighter in a group that battles a silent interstellar warrior, Brax (Ryan Tarran), who emerges from a portal in a Burmese temple every six years, demanding hand-to-hand combat or else he’ll destroy the Earth. The plot of Happiest Season is best summed up, in short, as “gay Meet the Parents.” But this assimilationist bent certainly doesn’t stop Duvall’s film, which is stacked with a supporting cast of solid comic performers like Levy, from sharpening humor that surely seemed mild on the page. “Ghosts of War” gradually glides away from these real world atrocities, though it very much revisits them during its shocking climax, to coast into an escapist fantasy of supernatural suspense. Employing claustrophobic compositions, opaque plotting, jarring, sometimes disjointed editing, and a hauntingly atonal jazz score by Jirí Sternwald, Brynych crafts an environment of utter despair and confusion, where suspicions are cast in every direction and friends and neighbors turn on one another in order to survive. And yet, there were still some surprises to come. 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British supernatural horror taking place largely in France towards the end of World War II, alternately tense and quite a rush. The raw chaos fit his natural state. Feedback About Myself Examples, Some The film is brightly colored, inventively designed, and constantly flirting with the outright psychedelic. Ganaraska Forest, Why did they seem to hate such a plum assignment? Footsteps stomp away on the floor above them. Ghosts of War, hitting VOD July 17th, stars a handful of young actors vaguely recognizable enough to play second fiddle to Billy Zane, spouting dialogue that feels cribbed from How To Write Soldier Jargon For Dummies. One fishermen’s recollection of getting dangerously caught in an eddy while seeking lobster is accompanied by shots around a fishing boat, with one floor-level angle of water lapping up on the vessel seeming to conjure up an approximation of his experience. They amplify the one simple fact we all know to be true: war is indeed hell. Throughout, ugly comic book art serves as transitions and occasional establishing shots. The On its surface, the film presents a smattering of voiceover testimonials from unseen Hebrides residents, who relate stories of strange happenings on the islands, most involving deaths or hauntings. For one, the film manages to offset Moussi’s void of charisma by bouncing him between more dynamic actors like Cage, Jaa, and Grillo, while Tarran’s portrayal of Brax as a guy in a suit rather than a CGI creation gives him a tangible, Power Rangers-like sense of presence. Successful in the early scenes at animating what could otherwise feel static on screen, that perpetual motion may also somewhat undercut the boiling stillness that eventually erupts. Barreto villainizes not only the killer, but also the lead detective, Bernard (Roberto Escalada), whose hypocrisy—both in his domineering behavior on the job, as when he keeps a suspect he knows is innocent in detention, and his betrayal of his disabled wife (Gloria Castilla)—undermines his positioning of himself as the moral voice of reason. Composed of a series of mostly static shots, the film is visually reminiscent of Peter Hutton’s Iceland-set Skagafjördur, though Bonnetta, at least as interested in the sonic dimensions of cinema as he is in its pictorial qualities, centers a large portion of The Two Sights’s meaning on its soundtrack. When Beth moves to New York and they start hanging out, Frank can’t hide his homosexuality for long. A look at the Ghosts of War behind-the-scenes crew and production team. Eugene finds the missing journal page while he, Chris, and Kirk bury the bodies. Porting a narrative with such a distinctly Cold War-era makeup into the modern day also has satiric potential, for suggesting the similarity between past and present anxieties about technology run amok.