Notice the first half of the scale is diminished and the second half is whole-tone. Below is an example of a whole-tone scale: The whole-tone scale is one of the modes of limited transposition, because there is only transposition of this mode.. Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. Whole tone scales are often used in jazz, and can be used to play over augmented and augmented 7th chords such as G+, or G7+. There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. Major chords – do use use whole tone? As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales… There is a much easier way to form this scale. The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. In a whole-tone scale, all music notes are separated by 1 whole step (tone ), and all note has the same importance the same function, so there is no tonic. The Whole Tone Scale Learn how the Whole Tone Scale is built and how to use it In this tutorial we're going to learn an uncommon type of guitar scale , the Whole-tone scale, that, as the name suggests, is composed of only whole-tones. Major and minor scales consists of 7 notes, while pentatonic scales are made of 5 notes. A whole tone is the same as two steps on the keyboard – a half tone is consequently one step. This is a so-called symmetrical scale, meaning that the interval is the same throughout the scale. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). It is not for nothing that it is called “Whole Tone Scale”, is it? Whole Tone Scale or Hexatonic Scale is a scale made by the sequence: tone – tone – tone – tone – tone – tone.. However, the whole tone scale has 6 notes that are all a whole step apart, making its intervallic formula easy to remember - W-W-W-W-W-W. It is great to use over dominant #5 chords as long as you understand the notes you will get: 9th, #11, #5. or a jazz minor? A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition.The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. This scale is a combination of a diminished scale and a whole-tone scale. The Whole Tone Scale (a.k.a. Frank Zappa uses the whole tone scale in a brief but incredibly cool moment during his solo in his song “Outside Now” from his album Broadway the Hard Way.The whole song is worth a listen, but if you are looking specifically for the whole tone scale, skip to 4:18. the Augmemted Scale) is, as the name implies, built from notes with intervals of a whole note. The whole-tone scale: A mode of limited transposition Minor scales – do use use dorian? https://acousticguitar.com/video-lesson-how-to-use-the-whole-tone-scale Because all the notes have 1 tone of distance among them.. You can also notice that this scale … Take a look at your guitar and give yourself a little bit of a music theory reminder; each fret is a semitone away from the other. Also fine: augmented triads (as long as they don’t imply a major 7.) Whole tone scales have an tonally ambiguous sound that can sound quite ‘out of place’ if used to improvise with in standard rock and pop songs (though you shouldn’t let that stop you trying!).